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The Glorious Sextumvirate by James Barry
RSA/PR/AR/116/21/73 · Јединица · c1800
Део од Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

This print shows a revision of the Glorius Sextumvirate shown in James Barry's original 'Elysium and Tartarus' painted in the Society's Great Room. The print gives a date of 1 May 1795 but when first published they did not have any lettering (the Society does hold one of these prints). The version which included the inscritption was not ready until 1800. Comparison of the 1795 and 1800 versions shows the changes Barry made.

Lord Baltimore and the Group of Legislators by James Barry
RSA/PR/AR/116/21/71 · Јединица · c1793
Део од Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

This is a revised detail of the group of legislators that James Barry painted in the 'Elysium and Tartarus' painting in the Soicety's Great Room. In this version Barry substitutes Cecilius Calvert, second Lord Baltimore for William Penn. Barry also introduced other figures, including Benjamin Franklin, into the print surrounding Pope Adrian in the upper left of the drawing.

The Angelic Guards by James Barry
RSA/PR/AR/116/21/7 · Јединица · c1802
Део од Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

This is a detail of the angelic guard and the group of illustrious patrons that James Barry painted as part of the 'Elysium and Tartarus' painting in the Society's Great Room. Unusually there is no inscription under the print. This version appears to be slightly smaller than others in the archive collection.

The Glorious Sextumvirate by James Barry
RSA/PR/AR/116/21/67 · Јединица · c1800
Део од Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

This print shows a revision of the Glorius Sextumvirate shown in James Barry's original 'Elysium and Tartarus' painted in the Society's Great Room. The print gives a date of 1 May 1795 but when first published they did not have any lettering (the Society does hold one of these prints). The version which included the inscription was not ready until 1800. Comparison of the 1795 and 1800 versions shows the changes Barry made.

Lord Baltimore and the Group of Legislators by James Barry
RSA/PR/AR/116/21/66 · Јединица · c1793
Део од Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

This is a revised detail of the group of legislators that James Barry painted in the 'Elysium and Tartarus' painting in the Soicety's Great Room. In this version Barry substitutes Cecilius Calvert, second Lord Baltimore for William Penn. Barry also introduced other figures, including Benjamin Franklin, into the print surrounding Pope Adrian in the upper left of the drawing.

Lord Baltimore and the Group of Legislators by James Barry
RSA/PR/AR/116/21/65 · Јединица · c1793
Део од Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

This is a revised detail of the group of legislators that James Barry painted in the 'Elysium and Tartarus' painting in the Society's Great Room. In this version Barry substitutes Cecilius Calvert, second Lord Baltimore for William Penn. Barry also introduced other figures, including Benjamin Franklin, into the print surrounding Pope Adrian in the upper left of the drawing.

Diagorides Victors by James Barry
RSA/PR/AR/116/21/64 · Јединица · c1800
Део од Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

Detail from the 'Crowning of the Victors at Olympia' by James Barry in the Society's Great Room. This shows Diagoras, a former champion, being carried on the shoulders of his two victorious sons. The print is dated 1 May 1795 but the version with the inscription at the bottom was not produced until 1800.

The Fall of Satan by James Barry
RSA/PR/AR/116/21/6 · Јединица · c1790
Део од Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

Depiction of the fall of Satan with St Michael driving Satan out. James Barry dedicated the drawing to the Dean and Chapter of St Paul's who had approved the plan to decorate the church with history paintings. Although the print is dated 1777 it appears that it may be a later version c1790