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Maggie Ellenby collaborated with Cany Ash of Ash Sakula Architects on the design of new offices and live/work accommodation for Free Form Arts Trust, the incorporation of facilities for other artists and arts resources for the local community. The trust develops projects involving local people in the urban regeneration process. The building is sited on a narrow brownfield site between London Fields and the Liverpool Street to Stanstead line in Hackney. The project was completed in 2002. Client: Free Form Arts Trust. Award value £3,000.

Locky Morris worked with architect Michael Hegarty on the creation of a series of public spaces within the redevelopment of the Gasyard Centre, a multifunctional neighbourhood facility in the Bogside are of Derry, Northern Ireland. Both artist and architect live in the city and share an interest in ideas of belonging and shared history. With experience in navigating a highly complex landscape, literally and metaphorically, they worked closely with community activists in developing an overall visual identity for the centre along with designs for a reception area, community café, circulation routes and a history centre.The project was completed in 2004. Client: Gasyard Development Trust. Award value £8,550.

Diego Ferrari collaborated with architect Tony Fretton on the design of this unique space within the heart of rural Dorest. Holton Lee is a retreat, providing a contemplative and inspiring setting for the arts, disabilities and the environment. Ferrari introduced photographic representations of the natural environment and wildlife on the ceilings of the entrance and porch, inspired by the 350 acres of land surrounding the site. The project was completed in 2001. Client: Holton Lee Trust. Award value £6,000.

Bound with vol 153

The Art for Architecture scheme, managed by the RSA, was a collaborative initiative with the Department of National Heritage. It was established with core funding from the Department of the Environment and restricted only to England initial. In 1992, the scheme was extended to Scottish applicants due to Scottish Office funding and similarly to Welsh applicants in 1993 due to Welsh Office funding. The scheme also had a number of private sponsors. Its objective was to enhance the urban environment by encouraging cross disciplinary approaches to building and landscape projects by appointing and providing funds for artists to work as part of a design team from the earliest stages of a development. Michael Wrotesley, DOE, conceived the idea, which stemmed from RSA Student Design Awards. The scheme has been operating since 1990.\n\nDirectly related to the Scheme was the Jerwood Art for Architecture Award. The Award is a financial reward, sponsored by The Jerwood Foundation, to recognise the project which on completion represents both excellence in artistic quality and design and best practice in collaboration. It was presented to the artist and architect, landscape engineer, who are working together. The Jerwood Award was introduced in 1994.\n\nRecords include administrative correspondence, printed items and publicity material, and photographs.

Richard Wentworth worked with Charlie Mackeith of Ian Simpson Architects on the development of this museum. A dialogue was created between the museum, architects and other specialist professionals to influence approaches to the detailed design work. The project suffered a variety of difficulties and was completed in 2003. Client: The Manchester Museum. Award value £5,000.

Keith Wilson collaborated with architect Dominik Holzer of Will Alsop Architects on a temporary intervention in the Capability Brown designed parkland of Compton Verney. Wilson and Holzer responded to the eighteenth century landscape and developed their mutual interest in building physical environments in which the audience fulfils the role of both spectator and performer. The project was completed in 2003. Client: Compton Verney House Trust. Award value 7,500.

Elizabeth Wright collaborated with landscape consultant Christopher Bradley-Hole on a project for the BBC at White City. They looked at the physical and social complexities of the White City site, to produce designs for a landscape scheme reflecting the proportions of the surrounding buildings. Wright's designs were not realised due to temporal and financial restraints. Client: Land Securities Development. Award value 7,500.

Application and Project slides

This programme has notes scribbled in it.

Sold to the Charles Lamb Society in 1949.