1851 Great Exhibition
Photographs
5703 Archival description results for Photographs
Exhibitions
Page 736 from Volume 2 of 'Exhibition of the Works of Industry of All Nations, 1851. Reports by the Juries' (Great Exhibition 1851)
Clock designed by R. McGrath and black dessert plate designed by Sigmund Pollitzer, both manufactured by Pilkington Bros Ltd
Clock designed by R. McGrath and black dessert plate designed by Sigmund Pollitzer, both manufactured by Pilkington Bros Ltd
These cottages were bequeathed to the Society in 1931. There are 9 photographs showing external views, one showing an internal view and one negative.
Image acquired but not used to illustrate lecture text for 'Bridging the Gap' by Prof. Christopher Frayling and James Dyson, held at the RSA 1/3/2000
Designed by V Skellern, made by Josiah Wedgwood & Sons Ltd
Donated by B Scott
Image used to illustrate the Programme report on RSA Programme development
Image used to illustrate the lecture text for 'Licensed to skill: matching skills to tomorrow's needs' by Michael Frye and Jeremy Long held at the RSA 15/3/1999
Image used to illustrate Programme report on Focus on Food
Held on the same day as the presentation of the Benjamin Franklin Medal to Sir David Attenborough
This painting was bequeathed to the Society in 1861 by Lady Brown, widow of Captain Sir Samuel Brown, RN (1776-1852), the engineer of the bridge and for many years a member of the Society. Brown invented an improved method of manufacturing links for chain cables which greatly extended their use in the construction of suspension bridges and landing piers. Brown's bar link was first employed in the Union Bridge, completed in July 1820 and subsequently in the Chain Pier at Brighton. The bridge is 18ft wide, 368ft long and the distance between the points of suspension is 432ft. It was the earliest suspension bridge erected in Great Britain calculated for the passage of loaded carriages. The painting itself was executed before the bridge was built to show the effect it would have on the landscape. The large building discernible on the skyline in the centre of the picture, standing high on the northern bank of the Tweed is Paxton House, built to the designs of James and John Adam in the 1750's, with later additions by Robert Reid. Like the bridge, it still stands in fine condition.
This painting was bequeathed to the Society in 1861 by Lady Brown, widow of Captain Sir Samuel Brown, RN (1776-1852), the engineer of the bridge and for many years a member of the Society. Brown invented an improved method of manufacturing links for chain cables which greatly extended their use in the construction of suspension bridges and landing piers. Brown's bar link was first employed in the Union Bridge, completed in July 1820 and subsequently in the Chain Pier at Brighton. The bridge is 18ft wide, 368ft long and the distance between the points of suspension is 432ft. It was the earliest suspension bridge erected in Great Britain calculated for the passage of loaded carriages. The painting itself was executed before the bridge was built to show the effect it would have on the landscape. The large building discernible on the skyline in the centre of the picture, standing high on the northern bank of the Tweed is Paxton House, built to the designs of James and John Adam in the 1750's, with later additions by Robert Reid. Like the bridge, it still stands in fine condition.
This painting was bequeathed to the Society in 1861 by Lady Brown, widow of Captain Sir Samuel Brown, RN (1776-1852), the engineer of the bridge and for many years a member of the Society. Brown invented an improved method of manufacturing links for chain cables which greatly extended their use in the construction of suspension bridges and landing piers. Brown's bar link was first employed in the Union Bridge, completed in July 1820 and subsequently in the Chain Pier at Brighton. The bridge is 18ft wide, 368ft long and the distance between the points of suspension is 432ft. It was the earliest suspension bridge erected in Great Britain calculated for the passage of loaded carriages. The painting itself was executed before the bridge was built to show the effect it would have on the landscape. The large building discernible on the skyline in the centre of the picture, standing high on the northern bank of the Tweed is Paxton House, built to the designs of James and John Adam in the 1750's, with later additions by Robert Reid. Like the bridge, it still stands in fine condition.