Received the Albert Medal 'for his contribution to Drama and the British theatre'
Photographs
5703 Archivistische beschrijving results for Photographs
Received the Albert Medal 'for his contribution to Drama and the British theatre'
Received the Albert Medal 'for his contribution to Drama and the British theatre'
Received the Albert Medal 'for his contribution to orthopaedic surgery'
Received the Albert Medal 'for his services to music, and in particular his generous and practical encouragement of young musicians and of young people learning to appreciate music'
Received the Albert Medal 'for his services to music, and in particular his generous and practical encouragement of young musicians and of young people learning to appreciate music'
Received the Albert Medal 'for his services to music, and in particular his generous and practical encouragement of young musicians and of young people learning to appreciate music'
Received the Albert Medal 'for his services to music, and in particular his generous and practical encouragement of young musicians and of young people learning to appreciate music'
Received the Albert Medal 'for his services to music, and in particular his generous and practical encouragement of young musicians and of young people learning to appreciate music'
Received the Albert Medal 'for his services to music, and in particular his generous and practical encouragement of young musicians and of young people learning to appreciate music'
Received the Albert Medal 'for his services to music, and in particular his generous and practical encouragement of young musicians and of young people learning to appreciate music'
Received the Albert Medal 'for his services to music, and in particular his generous and practical encouragement of young musicians and of young people learning to appreciate music'
Received the Albert Medal 'for his services to music, and in particular his generous and practical encouragement of young musicians and of young people learning to appreciate music'
In 1793, the Society's Gold Medal was adjudged to Captain William Bligh RN, Master of HMS Providence, for his success, the previous year, 'in conveying from the Islands in the South Sea, to...the Islands in the West Indies subject to the Crown of Great Britain, the Breadfruit Tree, in a growing state'. The picture depicts the scene of Bligh's arrival in the West Indies, where in fact he delivered a great variety of plants, in addition to breadfruit, at St Vincent's and Jamaica. Bligh is the officer in the central foreground, carrying a telescope. Bligh had first visited the South Seas as Captain Cook's sailing-master in the Resolution in 1772-74 and it was during this expedition that the breadfruit trees was discovered at Otaheite. His first attempt to transplant it, whilst Master of the Bounty in 1788-89, ended in the notorious mutiny. a hydrographer and botanist of distinction as well as a thoroughly competent seaman, he was in later life elected a Fellow of the Royal Society. After his unhappy experiences as Governor of New South Wales in 1808-1810, he returned to England, was promoted to Flag rank and died in December 1817. 39,000 copies sold.
In 1872 the Society offered prizes for improvements in the design of London cabs. Many of the leading cab proprietors and builders of the day put forward their vehicles. These were submitted to extensive testing, including a journey in procession from Kensington to the City and back, by a special committee of the Society, which suggested detailed practical improvements to six of them. Eventually four of the improved cabs were awarded prizes of £30 each. The picture shows the scene in the grounds of Malborough House on 1st November 1872, when the Prince of Wales, President of the Society, inspected the winning cabs. The Journal reports that His Royal Highness 'expressed himself pleased with the vehicles' and 'gave an order for one for use at Sandringham'. The Prince is depicted in the left foreground with members of the Society's Council and on the extreme right is seen the Princess of Wales with her children. 49,500 copies sold.
The Society signed the building agreement with Robert and James Adam on 21st March 1772, and the foundation stone of the House was laid (at its west end) exactly a week later. The work was finished 'most justly and faithfully' to the specifications in April 1774 and the Society took occupation during the following June. The building with pilatered facade which close the view at the end of John Street still survives virtually unchanged. Adelphi Terrace (on the extreme right of the picture) was demolished in 1936. In the group appearing in the left foreground Robert Adam is displaying his design for the front elevation of the House to Members of the Society, whilst his brother James, also carrying plans, points toward the site. 56,700 copies sold.
In 1758 the Society made the first of its many awards intended to promote reafforestation in Great Britain. A gold medal was awarded to Henry, fifth Duke of Beaufort, to mark the planting of acorns 'for the raising of Oak Timber' upon 23 acres of his estate at Hawkesbury, Gloucestershire. The artist, Anna Zinkeisen has depicted the Duke (in a red coat) listening as his steward, Robert Croucher, reads an advertisement of the conditions upon which the Society's offer of the medal was made. The mounted figure on the left is the Duke's sister, Lady Anne Somerset. Badminton House, the Duke's seat, can be seen in the distance. 24,000 copies sold.
Illustration taken from 'Sketches Towards a Hortus Botanicus Americanus...of New and Valuable Plants of the West Indies and North and South America' by W J Titford MD Corresponding member of the Society of Arts, 1812. The Society encouraged the development of the Botanic Garden at St Vincent, where Captain William Bligh left some tropical fruits, including breadfruit for which he was awarded the Society gold medal in 1794. Used for the 1998 Christmas card.
Taken from a bas-relief in marble by Ernst Rietchel, a renowned 19th century European sculptor. 'The Angel is represented in the form of a graceful youth floating in the air with the infant saviour in his arms; two infant Angels attend his course. This group has a peculiar charm from the beauty of the heads and figures, the grace of the action, the suddenness of the movement impressed on the flying drapery, and the masterly yet tender handling of the marble'. Extract from the jurors commentary in the Art Journal Illustrated Catalogue of the Great Exhibition of 1851.