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A collection of printed books acquired by the Society by gift and purchase about international trade exhibitions. It includes exhibitions in which the Society played no part and covers the period 1851 to 1951. The collection comprises contemporary catalogues, reports of Juries and other printed accounts of exhibitions. It also includes a number of printed booklets, pamphlets and maps and some more recent general works on exhibitions. Catalogues are in order of date of exhibition. \n\nSeries comprises printed books

Humorous Art Exhibition

In his lecture 'Humour in Art' given to the Society in February 1949, H M Bateman had proposed a permanent National Gallery of Humorous Art, in which to display the many original drawings of published comic art, which currently languished in back offices, or in corners of studios, and never seen by the public. \nAs a tentative beginning the Society, at the suggestion of its Chairman of Council, Sir Harry Lindsay KCIE, CBE, organised a temporary exhibition of 162 drawings of the work of more than fifty artists, ranging from Rowlandson and Gillray, to Osbert Lancaster and E H Shepard, Emett and Giles. With the help of Kenneth Bird, the editor of Punch, H M Bateman and Anna Zinkeisen, RDI, the Society was able to arrange an interesting display in the Society's Library (located at this time in what is now the Benjamin Franklin Room), which was open to the public free of charge.\nEncouraged by the steady flow of visitors, by the end of the second week 7,091 people had visited the exhibition, including HRH The Duke of Edinburgh (President, RSA 1952-2011) and The Duchess of Kent. The Council decided to postpone the closing day until Saturday 13 August, and to extend the daily opening hours to 6.30pm on weekdays, including Saturdays and the August Bank Holiday. 14,000 people had passed through the doors by the end of the exhibition, and as there was still a great public interest, the Society was able to arrange for the exhibition to travel round the country from October 1949 to April 1950, showing at Hove, Coventry, Salford, Preston, Liverpool, Glasgow, Aberdeen, Lincoln, Hull and Leicester. It has been estimated that a further 40,000 people saw it in the course of this tour. The exhibition also received press coverage worldwide in newspapers and magazines such as Picture Post, Illustrated London News, The Spectator and two pages in the BBC Arabic News. Coverage also featured in television and cinema newsreels. But in spite of all this interest Bateman's original idea for a National Gallery of Humorous Art never came to life.\n\nRecords include correspondence and papers about arrangements for the exhibition, a catalogue and printed material and photographs

The campaign for the preservation of ancient cottages began at a special meeting in May 1926 when Sir Frank Baines read a paper entitled 'The Preservation of Ancient Cottages', during which he announced that the Society had undertaken 'to initiate and endeavour to organise a movement, directed towards the final preservation of the cottage architecture of this country' and that the Society would 'call to a conference all those anxious to help and devise a scheme to accomplish our aims'. This conference was held on January 26, 1927 with the Prime Minister, Stanley Baldwin in the chair. He proposed a resolution approving the action of the Society and signifying the intention of the meeting 'to assist in the establishment of a substantial fund for application on the broadest national lines in furtherance of this movement'.\nBy July 1927 the amount received had reached just over £4,500 and eventually reached £15,000. In the early days of the campaign the Society was successful in saving the three Thomas a Becket cottages near Worthing and it purchased and reconditioned the group of cottages known as Arlington Row at Bilbury, Gloucestershire, among others.\nIn 1929 the Society purchased in its entirety the village of West Wycombe in Buckinghamshire, which was then about to be put up for sale in 60 lots. In 1934, after extensive repairs, the Society handed over the village to the National Trust for permanent preservation. \nThe Society took no further important action in this campaign until 1953 when it decided to expend the balance of the fund, over £1000. It approached the National Trust and was responsible for the overhaul and repair of the roofs of the famous group of cottages at Chiddingstone in Kent.\n\nSeries includes minutes of a committee, printed material and images

The Society's examinations were instituted in 1856 and work burgeoned over the ensuring decades. The RSA Examinations Board was responsible for the Society's role as a major examining body principally in commercial/office skills and languages (particularly English as a foreign language) ranging from elementary to post-graduate. The academic work of the Board was conducted mainly from the London offices whilst the operational work, including printing and data processing, was carried out at premises near Orpington. The Examinations Board became a separate Company in 1987 and was sold in 1997 at which point it merged with the Oxford and Cambridge Examinations Boards to form OCR. Records include administrative files and papers and printed material including some examples of examination papers at various dates. Examination papers for some years have also been bound into volumes of the Journal.\n\nRecords include general administrative correspondence, printed matter including examination question papers, syllabuses, reports and photographs. The collection does not include lists of individual candidates.

The scheme began in 1924 as the Competition of Industrial Design; this later became the Industrial Art Bursaries Competition (1946), the Design Bursaries Competition (1977), the Student Design Awards (1989/90), Design Directions (2003) and back to the Student Design AwardS in (2010). This is a project based award scheme for students of design which is judged by leaders in design and business. Its aims to bring promising students to the attention of the industry, to help students near the end of their education to sharpen their ability to contribute within a commercial setting, to influence design education by directing the attention of students to areas not necessarily covered in their course, and to give winning students the opportunity of industrial work experience or travel to further their design careers.\n\nIn addition to the travel and attachment awards given under each separate section of the competition, there were a number of special awards given to recognise winning students either for a particular feature of their winning entry, or some other criteria allied to the special award. These awards ran at different stages of the competition and each award ran for a different length of time. The special awards offered in a particular year were usually recorded in the project book and review/ report for that year. The winners of these awards were normally announced at a later date than the main competition results and therefore winners were only occasionally mentioned in the annual review/ report books. Where it is known that an additional award was won by a student, this is recorded on the individual's record. \n\nThese prizes included (this list is not complete):\n' Associateship of the RSA (winners of travel or attachment awards were also entitled to a year's free Fellowhsip of the RSA if they were over 25, and a year's free Associateship if they were under 25)\n' The Jacobs Memorial Award Certificate (for the student who submitted the best study tour report both in terms of content and presentation) \n' Alyson Leslie Award (this was first offered in 1992/93 and was awarded to the writer of the report which, in the view of Alyson Leslie, communicated to the reader most effectively how they used the award, what benefits they derived from it and how it would influence their future career)\n' Sir Frank Warner Memorial Medal (this medal commemorated the initiation of the original Competition of Industrial Design by Frank Warner. It was awarded for the best individual textile design. This medal was linked to the Sir Ernest Goodale Memorial Award) \n' Sir Ernest Goodale Memorial Award (this award was established by The Worshipful Company of Weavers in memory of Sir Ernest Goodale who was chairman of the RSA Design Committee. The award was given to the winner of the Sir Frank Memorial Medal to enable them to travel further afield)\n\n' The Whittington Award (this award was sponsored by the Mercers' Company and given to the entry that best demonstrated an understanding and appropriateness in their design on the theme, 'Design for Export')\n' The Master's Medal (this medal was presented by the Master of the RDI Faculty to the student who, in the opinion of the Master, solved the problem set out in any brief in the most practical, elegant and commercially viable manner)\n' The Chartered Society of Designers Student Medal (beginning in 1988/89, a silver medal was awarded to an outstanding student in each of the Chartered Society's design disciplines)\n' Wally Olins Opportunity Award (started in 2001/02 this award was for the student who most eloquently made a case for the use of the money to add value to the design business as a whole) \n' British Airways Flight Awards (a certain number of point to point flights within Europe were given to students who won travel awards)\n' The BIB Design Consultants Attachment and European Travel Award (the winner of this award was selected from short-listed students entering any of the industrial/ product design sections)\n' The BIB Travel Award to the United States (started in 1988/89, the winner of this award was selected from short-listed students entering any of the industrial/ product design sections who would most benefit from visiting the USA)\n' Deryck Healey International Colour Bursary Award (this was awarded to the student who demonstrated the impact of colour in a way which was exceptionally appropriate to consumer needs)\n' Formica Award (Formica Limited offered money for a well-planned study tour for the candidate who made the most appropriate and imaginative use of Formica Products in their solution to a project within the Student Design Awards)\n' The Kodak Photographic Award (this was given to students in specified sections of the competition who answered the brief in predominantly photographic terms.\n\n\nRecords include administrative files and correspondence, minutes of various committees, printed material including annual reports, publicity material and photographs of a small selection of winning designs.

Industry Year 1986 took place because it was considered that in the late 1980's the decline in UK manufacturing seriously threatened our ability to maintain let alone improve the quality of life for our citizens. Industry Years' slogan 'Thanks to Industry', was intended as a challenge to a society which is insufficiently aware that almost everything we do depends on industrial activity and which shows little appreciation of such activity. The Industry Committee was formed towards the end of 1982 to carry forward an initiative begun at St. George's House, Windsor, in conjunction with the earlier, 'Comino Committee' of the RSA. The committee members included: \nSir Geoffrey Chandler, Director, Industry Year; Diana McMahon, Deputy Director, Industry Year; Lord Vinson, Chairman, Industry Year Executive Committee; Christopher Lucas, Secretary; John Robertson, Assistant Secretary\nIts main objective was the promotion, throughout the United Kingdom, of a recognition of the importance to the future of our county - and to its influence on the world economy - of a prosperous and profitable British Industry in all its branches based upon modern technology and , with that, to help to effect a positive change in the cultural attitude towards industry in Britain on the part of the public as a whole. The Industry Committee which was formed to take over from the Comino Fellowship Committee, the latter formed in 1979, was established with much wider terms of reference than the running of Industry Year 1986.\n\nIndustry Matters was the successor of Industry Year. It was a clearly targeted programme of action which continued to stress the importance of industry and its role in our lives, building on the momentum achieved during Industry Year 1986. The main aim was to encourage continuing action in three main areas: developing partnerships between industry and education; action by industry to communicate more effectively the part it plays in society; increasing awareness of industry's role and its service to the community. The work was carried on through a network of regional and local groups, with a central team provided for up to two years by the RSA.\n\nSeries of records which include minutes of various steering committees and correspondence relating to the development and administration of the project.

Albert Medal

A general meeting of the Society was specially convened on 21st March 1862 to discuss suitable memorials to Prince Albert, President of the Society for eighteen years (1843-1861). At this meeting the Council put forward their resolution 'that a gold medal, to be called the Albert medal, be provided by the Society, to be awarded by the Council not oftener than once a year, for distinguished merit in promoting Arts, Manufactures or Commerce'. (A commemorative bust was also decided upon at this meeting).\n\nLeonard Wyon produced the design of the Medal showing the head of Albert in later life on the obverse. Other artists were commissioned for designs from which the reverse might be selected, such designs to be illustrative of Arts, Manufactures and Commerce. The first award was made in 1864 to Sir Rowland Hill for his reforms to the postal system, the benefits of which extended over the civilised world.\n\n'The list of recipients forms a record of the greatest of those who have laboured to benefit mankind, and whose service lends lustre to the reputation of the sagacious and benevolent Prince in whose memory it was founded'.\n\nWinners of the Albert Medal are offered Honorary Fellowship of the RSA.\n\nIncludes files and working papers on the selection of candidates, arrangements for ceremonies and general administration, as well as photographs of medal presentation ceremonies

From their beginning in 1986, the RSA's Better Environment Awards for Industry (BEAFI) maintained close links with the European Better Environment Awards for Industry (EBEAFI) run by the EU which was held every two years. The RSA put forward some of the entrants to the BEAFI as candidates for the European scheme. \n\nIn 1992 the Government announced that there would be a new environmental award, The Queen's Award for Environmental Achievement. The RSA responded with new plans for its 'Better Environment Awards for Industry (BEAFI) which had been running since 1986. There were to be two categories of Award: the first recognising Management initiatives bringing environmental benefits in Britain, the second for the export of appropriate technologies which bring environmental benefit to developing countries. The awards continued as a scheme for British companies. The RSA continued to put forward candidates for the European Better Environment Awards for Industry and in addition winners of the Queen's Awards were invited to apply for selection as candidates for the European competition.\n\nDeveloped from the PATAS (Pollution Abatement Technology Awards) these awards came about largely at the instigation of the European Commission who were setting up an EEC-wide scheme. \n\nSee 'The RSA and the Environment,' edited by Timothy Cantell, 1993\n\nRecords include minutes of committees and general meetings, correspondence and working papers and photographs

RSA/PR/AR/101 · Series · January - March 1935
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

The Exhibition was held in the galleries of the Royal Academy and was organised jointly by the RSA and the Royal Academy. The objects of the exhibition were to 'impress upon the public the importance of good design in articles of everyday use; to show that British manufacturers, in co-operation with British artists, are capable of producing in all branches of industry, articles which combine artistic form with utility and sound workmanship; to encourage British artists to give to industry the benefit of their talent and training so that the objects with which we are surrounded in our daily lives may have an appearance which is not only attractive but is based on genuinely artistic principles'. The exhibition was held under Royal Patronage and with the active participation of HRH the Prince of Wales as President of the General Committee\n\nRecords comprise photographs and copy photographs of items displayed at the Exhibition

Royal Designers for Industry

The distinction of Royal Designers for Industry (RDI) was created by the RSA in 1936 to enhance the status of designers in industry and encourage a high standard of industrial design. The distinction is conferred upon 'citizens of the United Kingdom, who have attained eminence in creative design for industry'. Only 100 designers are able to hold the distinction at any one time and it is regarded as the highest honour to be obtained in the United Kingdom in the fields of industrial design. In addition, the RSA confers upon a limited number of distinguished international industrial designers the award of Honorary Royal Designer for Industry (HonRDI).\nThe Faculty of Royal Designer's for Industry was formed in 1938 as the association of RDI's with the object of furthering the excellence of design and its application to industrial purposes. The Faculty's affairs are presided over by a Master who serves for two years, he is assisted by a Deputy Master who is Master Elect.\nNew appointments are made after consideration by the Faculty and a Joint Panel (comprised of the Faculty and the RSA's Council). Appointments are then ratified by the RSA's full Council.\n\nRecords include administrative correspondence and files including some information on members, minutes of committee meetings, printed items and publicity material and photographs\n

Focus on Food Project

The Focus on Food Campaign was an RSA flagship education initiative. This campaign builds on two projects completed in 1997: the RSA's Cooking Counts and the QCA's Food in Schools. The project was run by Design Dimensions, a charity, at the RSA at Dean Clough. \n\nThe Campaign aimed to raise the profile and importance of practical food education and help secure, sustain and strengthen the position and status of food in the National Curriculum. The work focused on the making of food as the key experience in learning about the social importance of food.\nSee: http://www.waitrose.com/focusonfood/\n\nThe RSA's involvement ended in February 2003 but the project will continue under the administration of Design Dimensions.\nRecords include publicity and printed material including teaching packs and photographs of events.

Bicentenary Medal

Instituted in 1954 as a permanent commemoration of the Society's Bicentenary. Bicentenary Medal is awarded to a person, who, in a manner other than an industrial designer, has exerted exceptional influence in promoting art and design in British industry. The recipient may or may not be a designer, the medal recognises the influence which extends beyond the winner's own design work.\n\nThe Design Advisory Group select a suitable recipient for ratification by the Council's Executive Committee on behalf of the full RSA Council.