RSA/AD/MA/101/19/26
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Item
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1945
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
2234 results with digital objects
Show results with digital objects
RSA/AD/MA/101/19/83
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Item
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1945
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
Original drawing
RSA/PR/DE/100/11/10/13
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Item
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1989/1990
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
Won Travel Award worth £4250 under the the 'User and Environment Friendly Packaging' brief in the 'Health and Community' sector. Travelled to Europe, Australia and New Zealand. Photocopy of original report.
RSA/AD/MA/101/19/23
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Item
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1870-1900
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
Copy photograph presented to the Society by Alex Stirling, originally in the possession of Mrs Cole
RSA/SC/IM/700/161
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Item
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1998
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
Image used to illustrate the lecture text for 'An Arts Council for the future' by Gerry Robinson held at the RSA on 14/10/1998
RSA/SC/IM/700/162
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Item
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1998
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
Image used to illustrate the lecture text for 'An Arts Council for the future' by Gerry Robinson held at the RSA on 14/10/1998
RSA/PR/DE/100/11/21/26
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Item
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2000/2001
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
Won The Helen Hamlyn Research Centre Award: a Travel Award and a Development Award worth £1000/£2000 in the 'New Design for Old' section. Travelled to Switzerland to study for a year. Includes correspondence with Hochschule fur Gestaltug.
RSA/PR/MC/111/19/05
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Item
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1876
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
Exhibitions
RSA/AD/MA/103/19/154
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Item
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1975
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
RSA/AD/MA/103/19/155
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Item
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1975
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
RSA/SC/IM/701/S343
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Item
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
Members
RSA/PR/AR/116/21/56
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Item
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c1792
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
The engraving shows 2 panels, one containing King George and the other Queen Charlotte. Barry wanted these to replace the portraits of Lord Romney and Lord Folkestone in the Great Room. Barry wanted the panel showing King George to be stationed between the Great Room paintings of 'Orpheus' and 'Grecian Harvest Home', while the picture of Queen Charlotte he wanted to be sited opposite, between 'The Thames' and 'The Distribution of the Premiums'. Barry was never permitted to replace the existing portraits of Lords Romney and Folkestone. \nAlthough the engraving shows a plublication date of 1 May 1791 the first publication did not actually occur until 1792.
RSA/PR/AR/116/21/37
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Item
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c1792
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
The engraving shows 2 panels, one containing King George and the other Queen Charlotte. Barry wanted these to replace the portraits of Lord Romney and Lord Folkestone in the Great Room. Barry wanted the panel showing King George to be stationed between the Great Room paintings of 'Orpheus' and 'Grecian Harvest Home', while the picture of Queen Charlotte he wanted to be sited opposite, between 'The Thames' and 'The Distribution of the Premiums'. Barry was never permitted to replace the existing portraits of Lords Romney and Folkestone. \nAlthough the engraving shows a plublication date of 1 May 1791 the first publication did not actually occur until 1792.
RSA/PR/AR/116/21/39
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Item
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c1792
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
The engraving shows 2 panels, one containing King George and the other Queen Charlotte. Barry wanted these to replace the portraits of Lord Romney and Lord Folkestone in the Great Room. Barry wanted the panel showing King George to be stationed between the Great Room paintings of 'Orpheus' and 'Grecian Harvest Home', while the picture of Queen Charlotte he wanted to be sited opposite, between 'The Thames' and 'The Distribution of the Premiums'. Barry was never permitted to replace the existing portraits of Lords Romney and Folkestone. \nAlthough the engraving shows a plublication date of 1 May 1791 the first publication did not actually occur until 1792.
RSA/PR/AR/116/21/50
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Item
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c1792
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
The engraving shows 2 panels, one containing King George and the other Queen Charlotte. Barry wanted these to replace the portraits of Lord Romney and Lord Folkestone in the Great Room. Barry wanted the panel showing King George to be stationed between the Great Room paintings of 'Orpheus' and 'Grecian Harvest Home', while the picture of Queen Charlotte he wanted to be sited opposite, between 'The Thames' and 'The Distribution of the Premiums'. Barry was never permitted to replace the existing portraits of Lords Romney and Folkestone. \nAlthough the engraving shows a plublication date of 1 May 1791 the first publication did not actually occur until 1792.
RSA/PR/AR/116/21/57
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Item
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c1792
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
The engraving shows 2 panels, one containing King George and the other Queen Charlotte. Barry wanted these to replace the portraits of Lord Romney and Lord Folkestone in the Great Room. Barry wanted the panel showing King George to be stationed between the Great Room paintings of 'Orpheus' and 'Grecian Harvest Home', while the picture of Queen Charlotte he wanted to be sited opposite, between 'The Thames' and 'The Distribution of the Premiums'. Barry was never permitted to replace the existing portraits of Lords Romney and Folkestone. \nAlthough the engraving shows a plublication date of 1 May 1791 the first publication did not actually occur until 1792.
RSA/PR/AR/116/21/38
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Item
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c1792
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
The engraving shows 2 panels, one containing King George and the other Queen Charlotte. Barry wanted these to replace the portraits of Lord Romney and Lord Folkestone in the Great Room. Barry wanted the panel showing King George to be stationed between the Great Room paintings of 'Orpheus' and 'Grecian Harvest Home', while the picture of Queen Charlotte he wanted to be sited opposite, between 'The Thames' and 'The Distribution of the Premiums'. Barry was never permitted to replace the existing portraits of Lords Romney and Folkestone. \nAlthough the engraving shows a plublication date of 1 May 1791 the first publication did not actually occur until 1792.
RSA/PR/AR/116/21/49
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Item
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c1792
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
The engraving shows 2 panels, one containing King George and the other Queen Charlotte. Barry wanted these to replace the portraits of Lord Romney and Lord Folkestone in the Great Room. Barry wanted the panel showing King George to be stationed between the Great Room paintings of 'Orpheus' and 'Grecian Harvest Home', while the picture of Queen Charlotte he wanted to be sited opposite, between 'The Thames' and 'The Distribution of the Premiums'. Barry was never permitted to replace the existing portraits of Lords Romney and Folkestone. \nAlthough the engraving shows a plublication date of 1 May 1791 the first publication did not actually occur until 1792.
RSA/PR/AR/116/21/51
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Item
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c1792
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
The engraving shows 2 panels, one containing King George and the other Queen Charlotte. Barry wanted these to replace the portraits of Lord Romney and Lord Folkestone in the Great Room. Barry wanted the panel showing King George to be stationed between the Great Room paintings of 'Orpheus' and 'Grecian Harvest Home', while the picture of Queen Charlotte he wanted to be sited opposite, between 'The Thames' and 'The Distribution of the Premiums'. Barry was never permitted to replace the existing portraits of Lords Romney and Folkestone. \nAlthough the engraving shows a plublication date of 1 May 1791 the first publication did not actually occur until 1792.
RSA/PR/AR/116/21/55
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Item
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c1792
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)
The engraving shows 2 panels, one containing King George and the other Queen Charlotte. Barry wanted these to replace the portraits of Lord Romney and Lord Folkestone in the Great Room. Barry wanted the panel showing King George to be stationed between the Great Room paintings of 'Orpheus' and 'Grecian Harvest Home', while the picture of Queen Charlotte he wanted to be sited opposite, between 'The Thames' and 'The Distribution of the Premiums'. Barry was never permitted to replace the existing portraits of Lords Romney and Folkestone. \nAlthough the engraving shows a publication date of 1 May 1791 the first publication did not actually occur until 1792.