Affichage de 21613 résultats

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2234 résultats avec objets numériques Afficher les résultats avec des objets numériques
Redhill Town Centre, 2000/01
RSA/PR/AR/110/10/109 · Pièce · 2000-2001
Fait partie de Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

Esther Rollinson collaborated with Liz Freemont of Freemont Landscape Architects on a street scene in Redhill. Rollinson and Freemont worked to edit, reveal and re-invent the spatial opportunities and links for the town centre, creating an identity and visual connections for people moving through the city. The project was completed in 2001. Client: Redhill Town Centre Steering Group. Award value £4,000.

RSA/PR/AR/110/10/110 · Pièce · 2000-2003
Fait partie de Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

Muirne Kate Dineen collaborated with architect Will Alsop on this community centre for the Stonebridge estate in north west London. Dineen and Alsop used colour, sculptural and tactile qualities to achieve a strong identity for the centre. The project was completed in 2003. Client: Stonebridge Housing Action Trust. Award value £5,000.

Tulse Hill School
RSA/PR/AR/110/10/111 · Pièce · 2000-2001
Fait partie de Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

Martin Richman worked with architect Paul Monaghan to re-examine the conventional usage and perceptions of this south London school and its facilities, reflecting the changing methods and conventions of teaching practice. Richman and Monaghan used their shared interest in the manipulation of space using natural and artificial light to design the inner and outer spaces. The project was completed in 2002. Client: London Borough of Lambeth. Award value £5,000.

The Hothouse, 2000/01
RSA/PR/AR/110/10/112 · Pièce · 2001-2004
Fait partie de Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

Maggie Ellenby collaborated with Cany Ash of Ash Sakula Architects on the design of new offices and live/work accommodation for Free Form Arts Trust, the incorporation of facilities for other artists and arts resources for the local community. The trust develops projects involving local people in the urban regeneration process. The building is sited on a narrow brownfield site between London Fields and the Liverpool Street to Stanstead line in Hackney. The project was completed in 2002. Client: Free Form Arts Trust. Award value £3,000.

RSA/PR/AR/110/10/113 · Pièce · 2001-2002
Fait partie de Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

Lise Autogena collaborated with engineer Tom Barker of b consultants on a project to rejuvenate the early 20th century amplifiers located in Folkestone on the southern coast of England. Autogena and Barker completed designs for two new mirrors, one to be placed on either side of the Channel, enabling members of the public to listen to the sounds of the sky and to talk across the sea to people standing on a listening platform in front of the opposite mirror. The design stage of the project was completed in 2002. Client: Shepway District Council. Award value £10,000.

Auchterarder Community School, 2000/01
RSA/PR/AR/110/10/114 · Pièce · 2000-2003
Fait partie de Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

Gordon Young and Samantha Clark collaborated with Bruce Brebner of Anderson Bell + Christie on a community school in Auchterarder in Scotland. The new school provides a range of facilities including a library, cafeteria, garden, workshop and public spaces. The project was completed in 2003. Client: Perth & Kincross Council. Award value £10,000.

Gasyard Centre, 2001/02
RSA/PR/AR/110/10/116 · Pièce · 2001-2004
Fait partie de Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

Locky Morris worked with architect Michael Hegarty on the creation of a series of public spaces within the redevelopment of the Gasyard Centre, a multifunctional neighbourhood facility in the Bogside are of Derry, Northern Ireland. Both artist and architect live in the city and share an interest in ideas of belonging and shared history. With experience in navigating a highly complex landscape, literally and metaphorically, they worked closely with community activists in developing an overall visual identity for the centre along with designs for a reception area, community café, circulation routes and a history centre.The project was completed in 2004. Client: Gasyard Development Trust. Award value £8,550.

Minotaur, 2001/02
RSA/PR/AR/110/10/118 · Pièce · 2001-2003
Fait partie de Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

Shona Kitchen worked with architect Nick Coombe to re-invent the concept of the maze at this site in the grounds of Kielder castle. The project is part of an extensive programme of temporary and public art designed to increase visitors to rural Northumberland. Kitchen and Coombe explored the underlying ideas and the use of innovative materials to create a structure that surprises and delights the visitor. The project was completed in 2003. Client: The Kielder Partnership. Award value £6,000.

Classroom of the Future, 2001/02
RSA/PR/AR/110/10/119 · Pièce · 2001-2003
Fait partie de Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

Susan Collins worked with Sarah Wigglesworth on a science and environmental studies classroom at Mossbrook Special Primary School in Sheffield. Artist and architect explored virtual and real environments to create a 'Classroom of the Future' using high technology to create a place of sensuality, stimulation and wonder. The project was completed in 2002. Client: Mossbrook School. Award value £9,000.

Gillett Square, 2001/02
RSA/PR/AR/110/10/121 · Pièce · 2001-2003
Fait partie de Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

Andrew Cross collaborated with architect David Bickle of Hawkins Brown on the design of a new public space at Gillett Square in East London. Cross and Bickle were interested in the public's perception of the development of the site and its sense of place. They looked at the demolition and preparation stages of the architectural processes and how these influenced the built form. The design stage of the project was completed in 2003. Client: Hackney Cooperative Developments. Award value £5,000.

Friar Street, 2001/02
RSA/PR/AR/110/10/124 · Pièce · 2001-2002
Fait partie de Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

David Ward was part of a design team comprising, landscape architect, engineer and transport planner to develop designs for Friar Street in Reading. The street links the nineteenth century Museum and Art Gallery in the east of the town with the large Chatham Street development in the west. The design team looked at the history of the site and its context within the town and transformed the street into a successful environment for pedestrians, cyclists and buses. The design stage of the project was completed in 2002. Client: Reading Borough Council. Award value £6,000.

Compton Verney, 2001/02
RSA/PR/AR/110/10/125 · Pièce · 2001-2004
Fait partie de Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

Keith Wilson collaborated with architect Dominik Holzer of Will Alsop Architects on a temporary intervention in the Capability Brown designed parkland of Compton Verney. Wilson and Holzer responded to the eighteenth century landscape and developed their mutual interest in building physical environments in which the audience fulfils the role of both spectator and performer. The project was completed in 2003. Client: Compton Verney House Trust. Award value 7,500.

BBC White City, 2002
RSA/PR/AR/110/10/126 · Pièce · 2002-2004
Fait partie de Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

Elizabeth Wright collaborated with landscape consultant Christopher Bradley-Hole on a project for the BBC at White City. They looked at the physical and social complexities of the White City site, to produce designs for a landscape scheme reflecting the proportions of the surrounding buildings. Wright's designs were not realised due to temporal and financial restraints. Client: Land Securities Development. Award value 7,500.

Museum of Childhood, 2002
RSA/PR/AR/110/10/129 · Pièce · 2002-2003
Fait partie de Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

Simon Moretti worked with architect Adam Caruso on the strategic plan for the Museum of Childhood site in Bethnal Green, London. The core of the collaboration was the development of a polychromatic interior architecture, and Morretti and Caruso also looked at possibilities for the display of objects in the museum. The project was completed in 2003. Client: Bethnal Green Museum of Childhood. Award value 8,000.

Minutes: Application & Panel Meetings
RSA/PR/AR/110/12 · Sous-série · 1990-2003
Fait partie de Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

Minutes and supporting documentation. These are largely records of decisions taken on applications made to the Art for Architecture scheme and administration of the scheme. These files include the completed grant application forms of both successful and unsuccessful entries with reasons for the latter in some cases. Not all years include the applications of the successful entries. These can be found in the project files at PR.AR/110/10/

Application and Panel Meeting Minutes
RSA/PR/AR/110/12/5 · Pièce · 1994
Fait partie de Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

February 1994 - November 1994. Includes a report compiled for the judges of the first Jerwood Art for Architecture Award. These minutes include the original applications of the successful candidates for this year. Successful applicants include: West Dorset Hospital, Stanmore Road Housing, Dundee Wharf, Morcambe Bay, Marl Pumping Station Cardiff, Portland Sculpture Trust, Rishton high Street, the Speech, Language and Hearing Centre, Holly Street Public Arts, Open Space, Tout Quarry, Popley Community Centre and the redevelopment of the Tea Blending Factory at Bristol.