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Mary Moser made this prize winning drawing when she was only 15. She subsequently became a founding member of the Royal Academy of Arts

Tim Clark was a pupil of the Government School of Design. Illustration from M Digby Wyatt, 'The Industrial Arts of the Nineteenth Century. A series of illustrations of the choicest specimens produced by every nation at the Great Exhibition, 1851' held in the Society's early library

Awarded the sum of twenty guineas by the Society for his set of working drawings in 1824

Landseer awarded the lesser silver palette for this drawing, done when he was 10 years old

Part of the 1998 RSA collection

Part of a pack of ten, all with slightly different designs. Developed from an original Christmas card design sold by the RSA in 1991

Limited edition of 200 copies

The first known Christmas card appeared in 1843. The artist was J C Horsley, RA, who carried out the work at the suggestion of Henry Cole, a staunch supporter of the Society and Chairman of Council in 1850 and 1852. 25,000 copies sold.

In 1758 the Society made the first of its many awards intended to promote reafforestation in Great Britain. A gold medal was awarded to Henry, fifth Duke of Beaufort, to mark the planting of acorns 'for the raising of Oak Timber' upon 23 acres of his estate at Hawkesbury, Gloucestershire. The artist, Anna Zinkeisen has depicted the Duke (in a red coat) listening as his steward, Robert Croucher, reads an advertisement of the conditions upon which the Society's offer of the medal was made. The mounted figure on the left is the Duke's sister, Lady Anne Somerset. Badminton House, the Duke's seat, can be seen in the distance. 24,000 copies sold.

Painted by Anna Zinkeisen, T R Crampton is third from left, wearing an Inverness cape. Awarded the Society's gold medal in 1846 for his invention of the narrow-gauge locomotive engine. Working from engravings and records preserved at the Science Museum and in the archives, the artist has reproduced not only the design but also the original colouring of the engine. 34,000 copies sold.

Founder and first Secretary of the Society. Minature presented to the Society in 1786, the inscription beneath is based on that of an original copper-plate engraving of the minature executed by Hincks himself. 11,800 copies sold.

On 18th December 1850, Charles Dickens, Vice President, in the Chair, Mr W Bridges Adams read his paper on Railway Influence and Extension. The Adelphi had been an area of mystery for Charles Dickens in his unhappy childhood and David Copperfield, in the same predicament, would wander about the district, finding excitement in the strange inhabitants of the riverside. In the foreground of the painting Dickens is surrounded by his characters and in the background he can be seen arriving at the Society. 31,000 copies sold.

Alternative Christmas card design, image used for the newly designed covers of the Society's journal and other publications. 5,600 copies sold

The back of the House as originally completed faced on to the backs of other nearby, now non-existent, buildings and was hardly visible to the general public. The widening of the Strand in the 1920's brought it into a prominence never contemplated by the architects, Robert and James Adam, and revealed its untidy and ugly appearance. Sir George Sutton, then a Vice-President of the Society, undertook to pay the whole cost of re-designing and decorating it. The work was completed in 1927. It was carried out by Aston Webb, whose pilasters carrying a pediment were based on the design of the existing, original John Adam Street facade. The surmounting figure on the skyline was designed by Walter Gilbert. The reliefs in between the pilasters, symbolizing Arts, Manufactures and Commerce, were modelled by E J Bradford. 37,925 copies sold.

Reproduced from the original in the Society's collection. For this work the artist, then aged 15, was awarded the Society's prize of five guineas, the first premium in its class. On the recommendation of the responsible Committee, 'as a further reward for...her Extraordinary Merit' she received a Silver Medal. The flowerpiece was shown in the first ever public exhibition of contemporary British painters and sculptors held in the Great Room of the Society's premises (in Denmark Court, off the Strand) in 1760. Mary Moser (1744-1819) continued to develop her skill and reputation as a flower painter in her later career. The major surviving example of her work in this genre is a room decorated for Queen Charlotte at Frogmore. She was the daughter of the medallist George Michael Moser, who was to become a founder and the first Keeper of the Royal Academy. She was also a foundation member of the Academy and one of the two original women Academicians, the other being Angelica Kauffman. 60,205 copies sold.

Reproduced from the painting in the Society's collection, attributed to Joseph Nash (1808-1878). The Queen, accompanied by Prince Albert, the Princess Royal and Prince Alfred, together with the King of Portugal, appear in the centre of the picture, amidst a huge throng of spectators. The Great Exhibition of 1851, house in Sir Joseph Paxton's original Crystal Palace in Hyde Park, was set up by the Society of Arts as a showcase for the industry of all nations but especially that of Britain, then nearing its apogee. When the exhibition closed the structure was bought by the Crystal Palace Company, dismantled, and in an enlarged form devised by Paxton, re-erected at Sydenham, a labour of an immensity in keeping with the concept of the exhibition itself and with Victorian ambition and confidence. Until its destruction by Fire in November 1936 the 'new' Crystal Palace was the leisure resort of vast numbers of Londoners and a centre for recreational and cultural activities. Particularly notable for fostering musical appreciation in this country were the series of concerts initiated and organized by Sir George Grove, first Secretary to the Crystal Palace Company and Secretary of the Society of Arts at the time of the Great Exhibition. 70,530 copies sold.

The aim of Industry Year is to encourage a better understanding of industry, its essential role and its service to the community. Its purpose will also be to foster the pride of those who work in industry in their own achievement and contribution throughout the world for the provision of food, shelter and warmth; for the care of the sick, old and handicapped; for a better quality of life for the individual and for the community as a whole. 35,147 copies sold.

The illustration of the Red Amaryllis appears in the fifth volume of the Transactions of the Horticultural Society, presented to the Society in 1824. From its foundation in 1754 the RSA took a strong interest in plants and planting, ranging from its major tree planting campaign in the 18th century; improvement of land for planting; production of food crops for both man and beast, such as potatoes, carrots, apples etc.; to medicinal plants such as opium and rhubarb. The Society also encourage the development of botanical gardens in Britain's colonies to raise viable plants, including spices, for transportation between the colonies and the United Kingdom. in recent time the Amaryllis has become a popular Christmas gift, flowering in the months thereafter. 9,680 copies sold