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Susanna Heron collaborated on the design of a prominent public courtyard within the overall development of a derelict site in Shoreditch, East London, to become a new college campus. Heron worked with Hampshire County Architects and Perkins Ogden Architects to create a sunken garden incorporating water, sculpture and planting, to allow daylight into the Resources Centre in the courtyard at lower ground level. This project won the 1998 Art and Work Award. The project was completed in 1998. Client: Hackney Community College. Award value £5,750.

Richard Deacon, Anya Gallacio and Tadashi Kawamata worked with John Miller architects on a series of sculpture commissions exhibited on the Gallery lawn during renovation of the building. The artists' interventions reflected the gallery as a dynamic space of creation and ideas and the importance of architecture in defining public spaces. The project was completed in 1998. Client: Serpentine Gallery. Award value £10,000.

Julia Manheim was appointed Principal Consulting Artist to work with Architecture for the Arts on the design of Norden Farm, a new community arts centre for Maidenhead. The project involved consultation with the local community and other artists. The project design stage was completed in 1998. Client: The Norden Farm Centre Trust Ltd. Award value £7,000.

Ron Haselden worked with Lynn Kinnear of Kinnear Landscape Architects on this new play environment and public arts space within the regenerated grounds of an inner-city London school. Haselden considered the historical and physical nature of the site creating an accessible space for sculpture, play and public arts and forging new links between school and commnity. The project was completed in 1998. Client: Canonbury Infant and Junior Schools. Award value £5,000.

Brian Kennedy and David Grant collaborated with architect Andrew Gault of Consarc Design Group on a large scale urban regeneration project in Lisburn including restoration of canal locks, a new riverside park and canal basin with mooring and a performance hall. The artists also advised on the design of a new arts centre and the introduction of contemporary art into the building. The project was completed in 2001. Client: Lisburn Borough Council. Award value £4,000.

Vong Phaophanit collaborated with architects Miriam Fitzpatrick of Nicholas Grimshaw & Partners and Peter Carey of Donald Insall Associates on this Millennium project which included the restoration and re-interpretation of the 18th Century Bath Spa and the design and construction of a contemporary spa building. Phaophanit worked on the public spaces linking the spa buildings and the 18th Century Cross Bath. The project was completed in 2000. Client: Bath & North East Somerset Council. Award value £6,460.

Stephen Skrynka worked with Borough Transport Engineer Tom Mansfield, on the design and build of a cycle route through Lots Road in Chelsea. The route will form part of the Thames Cycle Route being developed by Sustrans. Skrynka promoted a creative dialogue between the design team, the surrounding communities and users of the route. The project was completed in 2001. Client: Royal Borough of Kensington and Chelsea. Award value £5,000.

Garry Fabian Miller liaised with architect Richard Murphy on the initial design proposals for a gallery and study centre which will explore the ecological environment and the relationship between the arts and the natural sciences. Fabian Miller also worked closely with landscape architects Gross Max who were appointed to the project at a later stage, and advised on an artist open submission process. The project was completed in 2001. Client: Buildings at Risk Trust. Award value £5,000.

Steve Dilworth collaborated with Iain McLeod of Barr Holdings and structural engineers to provide a fully accessible footbridge and seating in the 18 mile network of footpaths in and around the village of Dailly in South West Scotland. The project was completed in 2002. Client: Dailly Community Council. Award value £6,000.

Alan Johnston and composer Matt Rogalsky worked in collaboration with landscape architects Gross. Max. on Hackney Town Hall Square in East London. The team designed an interactive floor and soundscape as an integral part of the redesign of a newly developed cultural quarter. The project was completed in 2002. Client: Renaisi. Award value £6,000.

Esther Rollinson collaborated with Liz Freemont of Freemont Landscape Architects on a street scene in Redhill. Rollinson and Freemont worked to edit, reveal and re-invent the spatial opportunities and links for the town centre, creating an identity and visual connections for people moving through the city. The project was completed in 2001. Client: Redhill Town Centre Steering Group. Award value £4,000.

Martin Richman worked with architect Paul Monaghan to re-examine the conventional usage and perceptions of this south London school and its facilities, reflecting the changing methods and conventions of teaching practice. Richman and Monaghan used their shared interest in the manipulation of space using natural and artificial light to design the inner and outer spaces. The project was completed in 2002. Client: London Borough of Lambeth. Award value £5,000.

Maggie Ellenby collaborated with Cany Ash of Ash Sakula Architects on the design of new offices and live/work accommodation for Free Form Arts Trust, the incorporation of facilities for other artists and arts resources for the local community. The trust develops projects involving local people in the urban regeneration process. The building is sited on a narrow brownfield site between London Fields and the Liverpool Street to Stanstead line in Hackney. The project was completed in 2002. Client: Free Form Arts Trust. Award value £3,000.

Keith Wilson collaborated with architect Dominik Holzer of Will Alsop Architects on a temporary intervention in the Capability Brown designed parkland of Compton Verney. Wilson and Holzer responded to the eighteenth century landscape and developed their mutual interest in building physical environments in which the audience fulfils the role of both spectator and performer. The project was completed in 2003. Client: Compton Verney House Trust. Award value 7,500.

Elizabeth Wright collaborated with landscape consultant Christopher Bradley-Hole on a project for the BBC at White City. They looked at the physical and social complexities of the White City site, to produce designs for a landscape scheme reflecting the proportions of the surrounding buildings. Wright's designs were not realised due to temporal and financial restraints. Client: Land Securities Development. Award value 7,500.

Simon Moretti worked with architect Adam Caruso on the strategic plan for the Museum of Childhood site in Bethnal Green, London. The core of the collaboration was the development of a polychromatic interior architecture, and Morretti and Caruso also looked at possibilities for the display of objects in the museum. The project was completed in 2003. Client: Bethnal Green Museum of Childhood. Award value 8,000.

February 1994 - November 1994. Includes a report compiled for the judges of the first Jerwood Art for Architecture Award. These minutes include the original applications of the successful candidates for this year. Successful applicants include: West Dorset Hospital, Stanmore Road Housing, Dundee Wharf, Morcambe Bay, Marl Pumping Station Cardiff, Portland Sculpture Trust, Rishton high Street, the Speech, Language and Hearing Centre, Holly Street Public Arts, Open Space, Tout Quarry, Popley Community Centre and the redevelopment of the Tea Blending Factory at Bristol.

January 1999 - October 1999

February 2002 - October 2002

March 2003 - June 2003