Affichage de 21493 résultats

John O'Connor and Louise Barber collaborated with Niall Phillips Architects on the conversion of a disused tea blending factory for Artspace artists' studios. O'Connor and Barber also coordinated and commissioned works of art for this new centre named Spike Island. The project was completed in 1997. Client: Bristol City Council. Award value £8,000.

Susanna Heron collaborated on the design of a prominent public courtyard within the overall development of a derelict site in Shoreditch, East London, to become a new college campus. Heron worked with Hampshire County Architects and Perkins Ogden Architects to create a sunken garden incorporating water, sculpture and planting, to allow daylight into the Resources Centre in the courtyard at lower ground level. This project won the 1998 Art and Work Award. The project was completed in 1998. Client: Hackney Community College. Award value £5,750.

Richard Wilson collaborated with Ellis Williams Partners to integrate lighting within the structure of the Baltic Flour Mill to animate its silhouette after dark, softening the static and imposing silhouette into a welcoming beacon. The Baltic Flour Mill was being developed into a new contemporary art complex and this project formed part of the 1996 Year of Visual Arts. The design work was completed in 1998. Client: Gateshead Metropolitan Borough Council. Award value £5,000.

Morag Morrison and Anya Gallacio worked to develop a design framework for integrating public art into the urban regeneration of King's Cross in London. Several built environment consultants were appointed by London Borough of Camden to work on the scheme. The development is a four year programme of physical improvements to local estates and it was intended that appointed artists would help to draw together key elements of the urban fabric using landscaping, lighting and signage. The project was completed in 1997. Client: London Borough of Camden. Award value £10,000.

Katherine Clarke worked in collaboration with Muf Architects to propose design solutions for the environmental and urban regeneration of Southwark Street in London. Through the use of video the team engaged with local people, with the aim of visualising their desires for the streets and public space in their area. The project was completed in 1996. Client: Southwark Urban Design Initiative. Award value £4,375.

Richard Deacon, Anya Gallacio and Tadashi Kawamata worked with John Miller architects on a series of sculpture commissions exhibited on the Gallery lawn during renovation of the building. The artists' interventions reflected the gallery as a dynamic space of creation and ideas and the importance of architecture in defining public spaces. The project was completed in 1998. Client: Serpentine Gallery. Award value £10,000.

Grenville Davey collaborated with Simpson Associated Architects on the concept, planning and design framework for the redevelopment of Manchester city centre, following a bomb blast in 1996. Davey worked to improve the quality of the spaces and buildings and identify appropriate opportunities for the inclusion of art therein. The project design stage was completed in 1998. Client: Manchester Millennium Ltd. Award value £10,000.

Nicky Hirst worked with Jonathan Darke of Stillman Eastwick-Field architects on the refurbishment and extension to the staff and patient facilities at this hospital in North London. The project was completed in 1999. Client: The Royal Free Hampstead (NHS) Trust. Award value £4,800.

Ron Haselden worked with Lynn Kinnear of Kinnear Landscape Architects on this new play environment and public arts space within the regenerated grounds of an inner-city London school. Haselden considered the historical and physical nature of the site creating an accessible space for sculpture, play and public arts and forging new links between school and commnity. The project was completed in 1998. Client: Canonbury Infant and Junior Schools. Award value £5,000.

Brian Kennedy and David Grant collaborated with architect Andrew Gault of Consarc Design Group on a large scale urban regeneration project in Lisburn including restoration of canal locks, a new riverside park and canal basin with mooring and a performance hall. The artists also advised on the design of a new arts centre and the introduction of contemporary art into the building. The project was completed in 2001. Client: Lisburn Borough Council. Award value £4,000.

Heather Ackroyd and Daniel Harvey were appointed as artists in residence at the William Dunn School of Pathology in Oxford, to research and design two courtyard spaces in collaboration with architect Clive Guyer of Llewelyn Davis. The artists have been treated as visiting fellows to the School of Pathology throughout the duration of their collaboration. The project was completed in 1999. Client: William Dunn School of Pathology. Award value £12,000.

Hannah Collins worked with the architect Jonathan McDowell of McDowell & Benedetti to devise visual and environmental aspects this new nursing home in Lewisham. Collins' intervention was multi-dimensional and integral to the fabric of the building, reflecting the lives of those who live and work in the home. The project was completed in 1999. Client: The Merchant Taylors' Company. Award value £10,000.

Garry Fabian Miller liaised with architect Richard Murphy on the initial design proposals for a gallery and study centre which will explore the ecological environment and the relationship between the arts and the natural sciences. Fabian Miller also worked closely with landscape architects Gross Max who were appointed to the project at a later stage, and advised on an artist open submission process. The project was completed in 2001. Client: Buildings at Risk Trust. Award value £5,000.

Clive Gillman, lead artist of Liverpool's FACT centre, collaborated with the architect Mike Yates of Austin-Smith:Lord to develop an interactive computer programme designed to support an understanding of the form and functions of this new media arts centre. This ensures the experience of the centre is meaningful to disabled people who may not be able to engage with the building in more conventional ways. The project was completed in 2001. Client: FACT. Award value £8,000.

Minutes and supporting documentation. These are largely records of decisions taken on applications made to the Art for Architecture scheme and administration of the scheme. These files include the completed grant application forms of both successful and unsuccessful entries with reasons for the latter in some cases. Not all years include the applications of the successful entries. These can be found in the project files at PR.AR/110/10/

January 1991 - September 1991. Successful applicants for this year include the Old Trafford Children's Library, the Southampton Art Gallery and the Sussex Aids Hospice. Minutes do not include the original applications of either successful or unsuccessful candidates.

February 1992 - December 1992. Includes related papers for the unsuccessful applications. Successful candidates include Spen Valley High School, Bishop's Fox Community School, Inland Revenue, Nottingham, Equal Play Adventure Park, Hackney and St Peter's Church Bristol.

February 1994 - November 1994. Includes a report compiled for the judges of the first Jerwood Art for Architecture Award. These minutes include the original applications of the successful candidates for this year. Successful applicants include: West Dorset Hospital, Stanmore Road Housing, Dundee Wharf, Morcambe Bay, Marl Pumping Station Cardiff, Portland Sculpture Trust, Rishton high Street, the Speech, Language and Hearing Centre, Holly Street Public Arts, Open Space, Tout Quarry, Popley Community Centre and the redevelopment of the Tea Blending Factory at Bristol.

January 1998 - October 1998.

January 1999 - October 1999