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Martin Donlin and Edward Cronshaw created decorative screens and windows for this school in Liversedge, West Yorkshire. Donlin and Cronshaw worked with Geoff Fox of Kirklees Design Practice department in close liaison with the school's management and prospective pupils. Client: Spen Valley High School. Award value £5,000.

Tom Wood was selected through an open competition to collaborate with Allen Todd Architects on the refurbishment of the bar area of the Square Chapel in Halifax. The Square Chapel has been repaired and restored incorporating innovative contemporary design and is an important arts venue in the town centre. Client: Square Chapel Building Trust. Award value £4,500.

Graeme Willson worked with architect Nicholas Rank at St John's Church in Manchester. The building was radically reordered, incorporating a remodelled worship area in the nave of the church as a new centre of focus. Willson produced two paintings and two stained glass windows, and worked closely with Rank to select materials, fabrics and lighting designs to be introduced into the church building. Client: St John's Church. Award value £4,000.

Wendy Ramshaw worked with architect Richard MacCormac of MacCormac Jamieson Prichard to design a metal gate to be sited in an existing medieval wall at St John's College. To achieve the large scale, Ramshaw worked with the Richard Quinnell Rowhurst Forge. The gate has created a special meeting place and a significant point of transition between the ordered symmetry of the new Canterbury Quadrangle and the romantic chaos of the Fellows' garden. Client: St John's College. Award value £3,000.

Alexander Beleschenko worked with architect Frei Otto to develop the site of this 15th century church in Bristol. The church was was bombed in The Blitz in 1940 and the ruins are now a listed memorial, surrounded by Castle Park. The intervention was carefully planned, in discussion with the public and the city council. Beleschenko and Otto created designs for a coloured glass canopy within the centre of the church, to open up the tower area as an information and viewing point. Client: Bristol City Council Leisure Services Department. Award value £5,000.

Colin Wilbourne worked with Tyne and Wear Development Corporation to produce permanently-sited sculptures and features on Sunderland's riverside, including the pier, walkways and public buildings. During his period as artist in residence, Willbourne consulted with the local community who were keen to retain a sense of attachment to the area. He also identified opportunities for further work by himself and other artists/craftspeople. Client: Tyne & Wear Development Corporation. Award value £4,000.

David Watkins worked with Ron Smith of Peter Currie Architects on the design of external areas of this public housing development in North London. Watkins proposed an arbour, seating, screens and planting. The housing development was completed in 1995. Although designs were completed and fees paid, the artist's ideas were not incorporated into the development due to lack of funding. Client: Peter Currie Architects. Award value £5,000.

Minutes, agenda and papers dated 4 July 1995. The papers comprise of the opening remarks made at the meeting and an update on progress made.

Minutes, agenda, notes and correspondence to and from members of the competition streering committee.

Minutes, agendas and papers dating from the first meeting on 27 November 1995 to 15 September 1999. Includes an Outline to the Trafalgar Square Statue project and a copy of the draft proposal between the RSA and Goodwood and minutes from the Fourth Plinth Debrief and Planning Committee.

Contains an entry form, correspondence, music score 'Territory of the Whales', description and cassette recording.

Nathan Coley worked closely with Reiach & Hall Associates on the refurbishment of this Edinburgh gallery, contributing designs for the exhibition space and ideas to enhance the overall use and function of the building. Coley's publication 'Urban Sanctuary' formed part of his involvement in the project. The project was completed in 1997. Client: Stills Gallery. Award value £3,000.