Pen and brown ink over chalk on paper.
David Pearl. working with architects Colwyn Foulkes & Partners, produced designs for a large contemporary stained glass scheme for this aids hospice in Brighton. Pearl states 'Properly used stained glass become inseparable from the intentions and the fabric of the architecture....' Regretfully, due to financial constraints, the designs were not implemented. Client: West Sussex County Council. Award value £4,500.
Edwina Fitzpatrick worked with Mark Lemanski of Penoyre and Prasad architects to develop an artificially sustained orchard within the underground Bishopsgate Goods Yard site. With their experience of relating the processes of growth and change, they recreated the feeling of being in the English countryside in spring and summer, regardless of the time of year. The orchard perpetually flowers within a micro-climate maintained using a hydrophonic system. The project was completed in 2000. Client: Panchayat/Slow Release. Award value £8,750.
Danny Lane worked in collaboration with Middlesbrough Borough Council Architects Department to devise a sculptural work which was incorporated into the central public space within this new complex in Cleveland. Lane created a functional screen and noise barrier which allows light to pass through, in keeping with the overall style, fabric, location and aspect of the building. The project was completed in 1994. Client: Teesside Training Enterprise Council. Award value £2,000.
This is a detail of the angelic guiard and the group of illustrious patrons that James Barry painted as part of the 'Elysium and Tartarus' painting in the Society's Great Room. Unusually there is no inscription under the print.
This is a detail of the angelic guiard and the group of illustrious patrons that James Barry painted as part of the 'Elysium and Tartarus' painting in the Society's Great Room. Unusually there is no inscription under the print.
This is a detail of the angelic guard and the group of illustrious patrons that James Barry painted as part of the 'Elysium and Tartarus' painting in the Society's Great Room. Unusually there is no inscription under the print. This version appears to be slightly smaller than others in the archive collection.
This is a detail of the angelic guiard and the group of illustrious patrons that James Barry painted as part of the 'Elysium and Tartarus' painting in the Society's Great Room. Unusually there is no inscription under the print.
A pilot report prepared for the RSA by Centrestruct Associates