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Awards in Polite Arts were given in many categories. These prints, paintings, drawings and engravings have been arranged by subject of the artwork. This may not always be a clear reflection of the categories for which the drawings were initially submitted.\nThe series is arranged as follows:\n Ornamental designs, textile designs, flowers, drawings from nature: items 1 to 124\n Portraits, figures, drawings from life: items 130 to 409\n Landscapes: items 410-509\n Drawings of sculpture, classical scenes and figures: items 520-799\n Architectural designs, drawings, plans: items 800- 928\n Trial paintings (oil on board, canvas) 929-\nThese submissions have survived, although it is not clear how many other submissions there were in each category in each year. Although some of the designs and drawings (particularly in the first category) date from c. 1758, the majority of items are from the period c.1805 to 1830, with a small number later than this.\n\nA report by the Victoria and Albert Museum from the 1950s stated that the main interest of these drawings lies in the fact that they constitute a comprehensive collection covering an extended period.

Andrea Blum, Dorothy Cross and John Nottingham worked with architects Michael Hopkins & Partners to develop proposals for key sites within the building and landscape programme. This project is part of the Public Art Plan and Strategy prepared by the Public Art Development Trust for the Inland Revenue for their new centre at Castle Meadows in Nottingham. Client: Inland Revenue Nottingham. Award value £4,000.

These files were weeded by the Arts section at which point all entries, other than those shortlisted, were destroyed. The Archivist weeded duplicate copies of compositions.\nAlmost every file is composed of an entry form, music score, cassette recording of the composition and accompanying correspondence. Each entry form has been given a number as a means of identification.

Comprises of the minutes, agenda and working papers from the Masterclass Seminars, the competitions' Streering Committee and the Juries committee. These records show how the competition developed from its inception to the awarding of prizes.

Martin Donlin and Edward Cronshaw created decorative screens and windows for this school in Liversedge, West Yorkshire. Donlin and Cronshaw worked with Geoff Fox of Kirklees Design Practice department in close liaison with the school's management and prospective pupils. Client: Spen Valley High School. Award value £5,000.

Alexander Beleschenko worked with architect Frei Otto to develop the site of this 15th century church in Bristol. The church was was bombed in The Blitz in 1940 and the ruins are now a listed memorial, surrounded by Castle Park. The intervention was carefully planned, in discussion with the public and the city council. Beleschenko and Otto created designs for a coloured glass canopy within the centre of the church, to open up the tower area as an information and viewing point. Client: Bristol City Council Leisure Services Department. Award value £5,000.

Application and Project slides

Includes a poster advertising the competition and a press release.