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Art Education Committee

The Art Education Committee which was appointed in November 1941 to consider the place and purpose of art and design in the post-war system of education. The RSA's main concern was that while skilful manufacture had developed in every direction thre was a lack of display of artistic sense in industrial life and manufactures. The Society suggested that to hold a rightful place in the world's industry a high standard of art and design as well as craftmanship had to be achieved. This would not be possible unless the education system balanced its stress on developing intellectual powers with that of awakening of the senses.\n\nThe Committee held a series of interviews with the headmasters of art schools, industrialists and manufacturers the conculsions of which were compiled in a report of 28 May 1943 and forwarded to the President of the Board of Education. Oswald P. Milne was the Chairman of this Committee.

Art for Architecture

The Art for Architecture scheme, managed by the RSA, was a collaborative initiative with the Department of National Heritage. It was established with core funding from the Department of the Environment and restricted only to England initial. In 1992, the scheme was extended to Scottish applicants due to Scottish Office funding and similarly to Welsh applicants in 1993 due to Welsh Office funding. The scheme also had a number of private sponsors. Its objective was to enhance the urban environment by encouraging cross disciplinary approaches to building and landscape projects by appointing and providing funds for artists to work as part of a design team from the earliest stages of a development. Michael Wrotesley, DOE, conceived the idea, which stemmed from RSA Student Design Awards. The scheme has been operating since 1990.\n\nDirectly related to the Scheme was the Jerwood Art for Architecture Award. The Award is a financial reward, sponsored by The Jerwood Foundation, to recognise the project which on completion represents both excellence in artistic quality and design and best practice in collaboration. It was presented to the artist and architect, landscape engineer, who are working together. The Jerwood Award was introduced in 1994.\n\nRecords include administrative correspondence, printed items and publicity material, and photographs.

RSA/PR/AR/110/10 · Subseries · 1988-2004
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

Project files contain records relating to projects which received an award from the RSA Art for Architecture scheme. Each file includes a grant application form and notification letter; correspondence, notes and reports detailing project progress; images in various formats; press information, publications and other sundry items regarding the artist(s), architects or other built environment professionals and their work. In some project files, one or more of the aforementioned items are missing due to loss. Additional images have been archived separately. Project No. 1 is the first project to receive a grant under the scheme, each project thereafter has been given the successive number. Publication grants are numbered separately, and will be recognised by the suffix (Pub) after the project number. Project No. 1 (Pub) is the first publication to receive a grant under the scheme. Project completion dates indicate the completion of the design stage and the artist's involvement in conjunction with the RSA Art for Architecture scheme.\n\nOne image from each project has been attached if such an image exists.

The Society administered a series of arts scholarships, particularly music and dance from the 1970s to 1990. These were merged into an arts committee which looked at general arts policy. Several consultations were also undertaken by this body.\nIncludes minutes of meetings and papers, correspondence and notes.

Artspace, Bristol, 1993/94
RSA/PR/AR/110/10/40 · Item · 1994-1998
Part of Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA)

John O'Connor and Louise Barber collaborated with Niall Phillips Architects on the conversion of a disused tea blending factory for Artspace artists' studios. O'Connor and Barber also coordinated and commissioned works of art for this new centre named Spike Island. The project was completed in 1997. Client: Bristol City Council. Award value £8,000.

Administrative correspondence, including a Memorandum and Articles of Association relating to the Association of Societies of Art and Design Limited was established to promote the education of the community by encouraging the understanding, appreciation and development of the arts and design in whatever media expressed. The Association was formed by the five societies representing the related professions of artist and designer namely the Institute of Contemporary Arts, the Society of Industrial Artists and Designers, the Design and Industries Association, the Institute of Landscape Architects, and the Design and Art Directors Association in 1966. The Association was liquidated in 1970.