Image acquired but not used to illustrate lecture text for 'Straight lines and great circles: reweaving the local' by Susan Clifford, held at the RSA, 4/3/1998
Used to illustrate Studies in the Society's History and Archives on the move to the Adelphi in 1774
Used to illustrate Studies in the Society's History and Archives on the move to the Adelphi in 1774
Specimen of the Society's Christmas Card. Second painting in the series entitled 'The Progress of Human Knowledge and Culture' by James Barry, 1777-1783
Second painting in the series entitled 'The Progress of Human Knowledge and Culture' by James Barry, 1777-1783. Photograph by Geremy Butler
Second painting in the series entitled 'The Progress of Human Knowledge and Culture' by James Barry, 1777-1783
Second painting in the series entitled 'The Progress of Human Knowledge and Culture' by James Barry, 1777-1783.
Second painting in the series entitled 'The Progress of Human Knowledge and Culture' by James Barry, 1777-1783.
Second painting in the series entitled 'The Progress of Human Knowledge and Culture' by James Barry, 1777-1783
Second painting in the series entitled 'The Progress of Human Knowledge and Culture' by James Barry, 1777-1783. Photograph by Geremy Butler
Second painting in the series entitled 'The Progress of Human Knowledge and Culture' by James Barry, 1777-1783.
Second painting in the series entitled 'The Progress of Human Knowledge and Culture' by James Barry, 1777-1783
Portrait has been identified as that of General Kingsley and was one of four works by Reynolds in the first British exhibition of contemporary art (1760), through the exhibition of these paintings Reynolds first became known to the public
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Table designed by Martin Grierson
Image used to illustrate the lecture text for 'The euro and its consequences for Britain' by Lord Phillips of Sudbury, Professor Patrick Minford and Sir John Banham held at the RSA 7/12/1998