Alison Johnson was the winner of an Attachment award in the Multi-Disciplinary Design Section of the Society's 1984/85 Design Bursaries Competition (fore-runner of the Student Design Awards) 18,841 copies sold.

Plate from a book

Aquatint by Pugin and Rowlandson, shows the Great Room from the completion of Barry's paintings until the alteration in 1815. The Great Room. Engraving, 1809.

Part of a set of six postcards featuring designs by members of the Faculty of Royal Designers for Industry

Part of a set of six postcards featuring designs by members of the Faculty of Royal Designers for Industry

Part of a set of six postcards featuring designs by members of the Faculty of Royal Designers for Industry

Second painting in 'The Progress of Human Knowledge and Culture' series

Part of a set of six postcards featuring designs by members of the Faculty of Royal Designers for Industry

Part of a set of six postcards featuring designs by members of the Faculty of Royal Designers for Industry

Taken from a rare mezzotint from the Society's collection. At 20 years of age Lawrie received a bounty of 30 guineas in 1776 from the Society for 'disclosing his method of printing mezzotint in colour'. Lawrie copied the bird form one brought back by Captain Cook in the previous year at the conclusion of his second great voyage of discovery.

This detail from the sixth painting in 'The Progress of Human Knowledge and Culture' shows Lycurgus, William Penn, Alfred the Great and other famous lawgivers.

Mary Moser made this prize winning drawing when she was only 15. She subsequently became a founding member of the Royal Academy of Arts

An early portrait of the Irish history painter, James Barry, painted while he was studying in Rome. Blanchett who had settled in Italy, is known for his portraits of the exiled Stuarts.

Part of the 1998 RSA collection

Part of the 1998 RSA collection

Portraits marks the 50th anniversary of the Queen's association with the RSA, first as President and then as Patron

Drawn from life in the year of the Prince's betrothal to Queen Victoria. Painting presented to the Society by Sir Hilary Blood, Chairman of Council, 1963-65

The painting was commissioned by the Society as part of a memorial to the Prince Consort's Presidency of the Society

Painted for the Society, of which Lord Romney was a founding member and President (1761-1793)

The drawing was presented to the Society after Barry's death by the engraver Charles Warren, who called it 'a strong characteristic likeness of that....most singular man'.