William Shipley is shown selling winter fuel to the poor at summer prices in a street called the Drapery, in the centre of the town, where he had lodgings and a studio for his professional work as an artist and drawing master from 1747 until 1753. He is being assisted in his calculations by some of the richer Northampton residents who had, after some years' canvass, agreed to subscribe to his fund. The success of his scheme to defeat the Northampton fuel profiteers made Shipley persevere with his plan to raise a national fund for rewarding useful inventions and artistic excellence and in 1753 he came to London with the express purpose of founding a Society of Arts. 28,200 copies sold.

The view of the painting as a whole is taken from somewhere near the site of the present Waterloo Bridge and shows the Royal Terrace just after completion. The Terrace was the major portion of the Adam Brothers' Adelphi scheme, which involved the reclamation of this part of the river and the construction also of John Street, Adam Street and Robert Street, which was not yet built when the picture was painted. A number of members of the Society of Arts had Adelphi addresses at this period, including Robert and James Adam and David Garrick. The Terrace was demolished in 1936 to make way for the building then inscribed Adelphi, arrogating the name of an entire district. Of the true Adelphi only the Society's own premises, Robert Street and some houses in Adam Street survive. Reproduced by permission of the Museum of London. 34,000 copies sold

The Society signed the building agreement with Robert and James Adam on 21st March 1772, and the foundation stone of the House was laid (at its west end) exactly a week later. The work was finished 'most justly and faithfully' to the specifications in April 1774 and the Society took occupation during the following June. The building with pilatered facade which close the view at the end of John Street still survives virtually unchanged. Adelphi Terrace (on the extreme right of the picture) was demolished in 1936. In the group appearing in the left foreground Robert Adam is displaying his design for the front elevation of the House to Members of the Society, whilst his brother James, also carrying plans, points toward the site. 56,700 copies sold.

Part of a pack of ten, all with slightly different designs. Developed from an original Christmas card design sold by the RSA in 1991

Part of a pack of ten, all with slightly different designs. Developed from an original Christmas card design sold by the RSA in 1991

Part of a pack of ten, all with slightly different designs. Developed from an original Christmas card design sold by the RSA in 1991

Part of a pack of ten, all with slightly different designs. Developed from an original Christmas card design sold by the RSA in 1991

Part of a pack of ten, all with slightly different designs. Developed from an original Christmas card design sold by the RSA in 1991

Part of a pack of ten, all with slightly different designs. Developed from an original Christmas card design sold by the RSA in 1991

Part of a pack of ten, all with slightly different designs. Developed from an original Christmas card design sold by the RSA in 1991

Part of a pack of ten, all with slightly different designs. Developed from an original Christmas card design sold by the RSA in 1991

Part of a pack of ten, all with slightly different designs. Developed from an original Christmas card design sold by the RSA in 1991

Part of a pack of ten, all with slightly different designs. Developed from an original Christmas card design sold by the RSA in 1991

The picture, reconstructed from contemporary prints, represents the meeting in June 1849, at which the suggestion was made to the Prince which led to the inauguration by the Society of Arts of the Great Exhibition of 1851. By Miss Anna Zinkeisen, RDI.

Alternative Christmas card, based on a plate from Volume XXIII of the Society's Transactions. 2,100 copies sold.

Alternative Christmas card design, image used for the newly designed covers of the Society's journal and other publications. 5,600 copies sold

In 1983 Miss Saunders won the British Museum Design Award , sponsored by the Society, for a series of paper cut-out dolls' houses to be sold at the Bethnal Green Museum. 38,181 copies sold.